CULTIVATING LIBERALISM
FOR ALL CLIMATES
SINCE 1759
 
Google
 

Free daily alert to Candide's Notebooks
Your email:

By Feedburner (more versatile)
By The Notebooks
(quicker)

Voices from the Grave: “Just Look at Them Now”
When Mussolini and His Fascist Friends Dangled

Fascism in repose, Milan, 1945: Mussolini, his mistress Clara Petacci, Pavolini, Satarce.

[In spring 1945 Philip Hamburger was in Italy, reporting the Italian campaign for The New Yorker. He witnessed the execution of Benito Mussolini on April 28, 1945 in Milan. Here’s his account, curiously instructive in light of Saddam Hussein's hanging.pt]

Although many Romans—and quite a few American correspondents—deplore what went on in the Piazza Loreto on the morning of Sunday, the twenty-ninth, to the Milanese these events will probably always be symbols of the north’s liberation. To an outsider like myself, who happened to be on hand to see Mussolini, Clara Petacci, Pavolini, Starace, and some of the other Fascists dangling by their heels from a rusty beam in front of a gas station, the breathless, bloody scene had an air of inevitability. You had the feeling, as you have at the final curtain of a good play, that events could not have been otherwise. In many people’s minds, I think, the embellishments of this upheaval—thousands of Partisans firing their machine guns into the air, Fascist bodies lying in a heap alongside the gas station, the enormous, pressing crowd—have been overemphasized and its essential dignity and purpose have been overlooked. This is best illustrated by the execution of Starace—the fanatical killer who was once secretary of the Fascist Party-who was brought into the square in an open truck at about ten-thirty in the morning. The bodies of Mussolini and the others had just been hanging for several hours. I had reached the square just before the truck arrived. As it moved slowly ahead, the crowd fell back and became silent. Surrounded by armed guards, Starace stood in the middle of the truck, hands in the air, a lithe, square-jawed, surly figure in a black shirt. The truck stopped for an instant close to the grotesque corpse of his old boss. Starace took one look and started to fall forward, perhaps in a faint, but was pushed back to standing position by his guards. The truck drove ahead a few feet and stopped. Starace was taken out and placed near a white wall at the rear of the gas station. Beside him were baskets of spring flowers-pink, yellow purple and blue- placed there in honor of fifteen anti- Fascists who had been murdered in the same square six months before. A firing squad of Partisans shot Starace in the back, and another Partisan, perched on a beam some twenty feet above the ground, turned toward the crowd in the square and made a broad gesture of finality, much like a dramatic empire calling a man out at the home plate. There were no roars or bloodcurdling yells; there was only silence, and then, suddenly, a sigh-a deep, moaning sound, seemingly expressive of release from something dark and fetid. The people in the square seemed to understand that this was a moment of both ending and beginning. Two minutes later, Starace had been strung up alongside Mussolini and the others. “Look at them now,” an old man beside me kept saying. “Just look at them now.”


THE DAILY JOURNAL VANPOEM
 

As One Put Naked Into a Cigarette Boat

Continue chiding, since it's part of the new aesthetic,
and parcel to our coming home, as if
we'd disappeared into the burning bush
that calls to those who sit vacantly in parlors
awaiting a fate freighted with song and dance.
I stroll while staring and raging
with difficulty at the stubborn sky.

On my honor I step a little distance
from behind the curtain, only to disappear
the moment no birds sing, which occurs frequently.
Leaves dustier than furniture, the sound
of sleeping grating through the cosmos,
my footstool, my only talisman.
It's been real, arguing on your behalf.
Gray cobweb shadow, falling, floundering,
finding a place to not be shy and think
boldly about the oldness of beauty, a place
to rest its weary insubstantial head.

It may be that I stand on the threshold
of the checkout line, unsure of what
to be impulsive about, which momentous emptiness
to spontaneously identify my alienation with,
what kind of languor to slide into

before being reduced to grubbing for credentials,
locked in that tumid late-afternoon skin,
effervescing in its sea of dreams.
And all the things hearkening back to it,
the boat ride to breaker beach
there at the end of one world
where it paid to rage at the stammering waves
that kicked and screamed solely for my benefit,
staged objections to the inexorable fact of me.

Look: I've installed a turnstile in my kitchen,
so your picture-postcard of desolation has no power over me.
In this doggy-dog world land is made motionless
and the broads are standing on the wharves
with some of that sipping whisky on those silver trays,
which we'd be a bear to pass up. You speak
of the old gods who've washed up on shore,
but I don't see them, don't hear their hue and cry,
though their maze awaits us, will amaze us.
Here, let me get this little rock out of my damn shoe.
Then we can talk about paddling off to parts unknown.

 
Van Foreman
 
 

 


 

Read Pierre’s Latest at


 
The Latest Comments
 

In The Notebooks:
The Latest

Featured Essays:



GOOGLE GOOGLE NEW YORK TIMES NEWSPAPERS NETFLIX UK INDEPENDENT NETFLIX
  
Add to Google Reader or Homepage Subscribe in NewsGator Online Subscribe in Rojo   Add to My AOL Subscribe in FeedLounge Add to netvibes Subscribe in Bloglines Add to The Free Dictionary