CULTIVATING LIBERALISM
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The Gist: Bush's Road Show
Improvised Presidential Device

When he realized that both his cause and Vietnam’s were lost, Lyndon Johnson had the good sense to retreat to the White House and wait out his term. He made the obligatory rounds of the speech circuit, but he gave up the road show. No more “We can turn the Mekong into a Tennessee Valley,” his words to Henry Graff in a New York Times Magazine piece from March 1966. In March 1968, Johnson’s approval rating was at 36 percent. His Vietnam policies had been murderous. His retreat was, in William Buckley’s words for America’s cluster-gag in Iraq these days, a necessary “acknowledgment of defeat.” It eked at least a watt or two of nobility out of his supernova-sized failure.

President Bush’s approval is at 36 percent according to the latest Gallup poll, the lowest point of his presidency. His disapproval rating is at 60 percent. No reflection necessary, no change of course. Certainly no retreat. Just a new road show. What was remarkable about his George Washington University episode on Monday (the first of three this week) wasn’t that it was scripted as just another evangelical schmooze around a continuing atrocity of his design; that was merely in character. But that, despite the carnage of the last few days in Iraq, he managed to be virtually celebratory of the fact that GI deaths from “improvised explosive devices” are down. “Our plan,” he said, as if mouthing off the mission statement of a middling company in Houston or narrating a Military Channel documentary, “has three elements: targeting, training, and technology.” He goes on, at astounding lengths, to describe the each element, each less relevant to Iraqis than the next, each revealing a focus of energy and care Iraqis wish had been lavished on their concerns in the last three years: “We are putting the best minds in America to work on this effort. The Department of Defense recently gathered some—gathered 600 leaders from industry and academia, the national laboratories, the National Academy of Sciences, all branches of the military, and every relevant government agency to discuss technology solutions to the IED threat. We now have nearly a hundred projects underway.” He not only does not retreat. He attacks with salvo after salvo of irrelevant sideshows.

Stars and Stripes, the American military’s daily, headlined the IED story, appropriately enough one guesses, for the sake of military families and their cannon fodder hoping for any sort of silver lining that might lessen their fears. The Stars & Stripes article also hinted at Bush’s facility with lies, even, and especially, about GIs’ safety. “An analysis by The Associated Press released Monday of U.S. forces killed in Iraq,” the paper reports five paragraphs below Bush’s claim, “showed IED casualties from the bombs are still increasing, despite better armor and tactics.” Several news sources have picked up on Bush’s homage to mythical IED-busters. None have pointed out the creepiness of the president’s little victory dance in camouflage even as Iraqis have been victimized by one of the bloodiest stretches of war since the early weeks of the invasion. The juxtaposition deepens the gaping disconnect between Bush’s perceptions and the realities his willful blinders enable, but also between his rhetorical bravado and his utter inability to grasp the catastrophic dimensions of his war in human terms. Bodies litter the streets of Baghdad; he talks IED busting. And looks forward to the next stop in the road show.

—Pierre Tristam

 


 


THE DAILY JOURNAL VANPOEM
 

As One Put Naked Into a Cigarette Boat

Continue chiding, since it's part of the new aesthetic,
and parcel to our coming home, as if
we'd disappeared into the burning bush
that calls to those who sit vacantly in parlors
awaiting a fate freighted with song and dance.
I stroll while staring and raging
with difficulty at the stubborn sky.

On my honor I step a little distance
from behind the curtain, only to disappear
the moment no birds sing, which occurs frequently.
Leaves dustier than furniture, the sound
of sleeping grating through the cosmos,
my footstool, my only talisman.
It's been real, arguing on your behalf.
Gray cobweb shadow, falling, floundering,
finding a place to not be shy and think
boldly about the oldness of beauty, a place
to rest its weary insubstantial head.

It may be that I stand on the threshold
of the checkout line, unsure of what
to be impulsive about, which momentous emptiness
to spontaneously identify my alienation with,
what kind of languor to slide into

before being reduced to grubbing for credentials,
locked in that tumid late-afternoon skin,
effervescing in its sea of dreams.
And all the things hearkening back to it,
the boat ride to breaker beach
there at the end of one world
where it paid to rage at the stammering waves
that kicked and screamed solely for my benefit,
staged objections to the inexorable fact of me.

Look: I've installed a turnstile in my kitchen,
so your picture-postcard of desolation has no power over me.
In this doggy-dog world land is made motionless
and the broads are standing on the wharves
with some of that sipping whisky on those silver trays,
which we'd be a bear to pass up. You speak
of the old gods who've washed up on shore,
but I don't see them, don't hear their hue and cry,
though their maze awaits us, will amaze us.
Here, let me get this little rock out of my damn shoe.
Then we can talk about paddling off to parts unknown.

 
Van Foreman
 
 

 


 

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