CULTIVATING LIBERALISM
FOR ALL CLIMATES
SINCE 1759
 
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Maya Angelou: Color-Blind Canada
“Among the many perversities in American race relations is the fact that Blacks do not relish looking closely at whites. After hundreds of years of being the invisible people ourselves, as soon as many of us have achieved economic security we try to force whites into nonexistence by ignoring them.

Montreal provided me with my first experience of looking freely at whites. The underground railroad had had Canada as its final destination, and slaves had created a powerful liturgy praising Canada which was sung all over the world. Spirituals abounded with references to the Biblical body of water, the river Jordan. I had been told that Jordan, in our music, meant the Mississippi or the Arkansas or the Ohio River, and the stated aim to get to Canaan land was the slave’s way of saying he longed to go to Canada, and freedom.

Therefore, Canadians were exempt from many Blacks’ rejection of whites. They were another people. I observed their clean streets and the fact that their faces did not tighten when they saw me. The atmosphere was comfortable enough to allow me to try my recently learned French words. Sometimes I was understood.”


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THE DAILY JOURNAL VANPOEM
 

As One Put Naked Into a Cigarette Boat

Continue chiding, since it's part of the new aesthetic,
and parcel to our coming home, as if
we'd disappeared into the burning bush
that calls to those who sit vacantly in parlors
awaiting a fate freighted with song and dance.
I stroll while staring and raging
with difficulty at the stubborn sky.

On my honor I step a little distance
from behind the curtain, only to disappear
the moment no birds sing, which occurs frequently.
Leaves dustier than furniture, the sound
of sleeping grating through the cosmos,
my footstool, my only talisman.
It's been real, arguing on your behalf.
Gray cobweb shadow, falling, floundering,
finding a place to not be shy and think
boldly about the oldness of beauty, a place
to rest its weary insubstantial head.

It may be that I stand on the threshold
of the checkout line, unsure of what
to be impulsive about, which momentous emptiness
to spontaneously identify my alienation with,
what kind of languor to slide into

before being reduced to grubbing for credentials,
locked in that tumid late-afternoon skin,
effervescing in its sea of dreams.
And all the things hearkening back to it,
the boat ride to breaker beach
there at the end of one world
where it paid to rage at the stammering waves
that kicked and screamed solely for my benefit,
staged objections to the inexorable fact of me.

Look: I've installed a turnstile in my kitchen,
so your picture-postcard of desolation has no power over me.
In this doggy-dog world land is made motionless
and the broads are standing on the wharves
with some of that sipping whisky on those silver trays,
which we'd be a bear to pass up. You speak
of the old gods who've washed up on shore,
but I don't see them, don't hear their hue and cry,
though their maze awaits us, will amaze us.
Here, let me get this little rock out of my damn shoe.
Then we can talk about paddling off to parts unknown.

 
Van Foreman
 
 

 


 

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