Sherwood Anderson, “A Man of Ideas” (1919)

sherwood anderson otto dix self-portrait joe welling

Otto Dix, “Self-Portrait” (1931).

Joe Welling, a man who works for Standard Oil as a distributing agent and who floods his audience with ideas, a man “who is subject to fits” of such ideas, and who falls in love with the daughter of an unliked man in town, Edward, whose 27-year-old son is a brute who may have killed a man and who was fined $10 for killing a dog with a stick in public. Joe Welling is an oddball, his ideas are absurd, he makes leaps of logic no one could (or should) follow, but his ideas are harmless, though he manages to capture an audience when he goes off on his fits: Winesburg is not exactly rich either in entertainment or in original ideas. Of course he tells George Willard that he would have wanted to be a reporter, that he should have been a reporter. George witnesses what’s expected to be a confrontation between the two King men and Joe Welling, but Welling “was carrying the two men in the room off their feet with a tidal wave of words,” a wave powerful enough to carry all three men out to go meet Sarah, the King daughter, in what appears to be the Kings’ approval of the relationship. Joe Welling is a rare type in Winesburg, Ohio: a happy man, his happiness bred on enthusiasm. Who cares if it’s irrational. Isn’t happiness inherently a suspension of the rational, considering our existential condition? (I have Welty’s Whistle still in my ears.)

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