Another episode in Singer’s stories of odd couples, this one starring Red Elka, to whom death and all things eschatological are an aphrodisiac, and Meir, an reformed thief who becomes more guarded with the years. Both are married to invalid millstones that won’t die. Elka works as a Jewish undertaker and eventually employs Meir, enabling the couple to have their trysts on deathly runs, but Meir’s wife won;t grant a divorce. He has dreams of opening a funeral parlor with Meir in the United States (“There is no lack of females and corpses there”) but the 2014 war and other manufactured obstacles intervene, and Elka is happy taking care of the dead where she is, until she develops breast cancer. Her sister begins to work with Meir but she is as sullen and surly as Elka was jovial and talkative. She makes a move for Meir once but he rejects her. Elka wants him to marry her sister when she dies. He refuses. One day he and the sister are on a run for multiple deaths. Their vehicle crashes. They die, and the corpse of the actor they were carrying dies a second death. The multiplicity of deaths revives Elka one last time. She buries them.
The New Yorker, May 23, 1977, Old Love