Robin is an ambitious 18-year-old country boy called to Boston by his uncle, Major Molineux, a British colonial official,z to make his way in the world. But from the moment he arrives in the city in search of his uncle, he’s the subject of ridicule, threats and false seductions until an older man hears his story and assures him that Major Molineux is about to appear in the street. He does, surrounded by a mob that’s tarring and feathering him, the latest in a string of British governors so dishonored. Robin and the major’s eyes lock in a moment of shrill recognition, but the moment is Robin’s chance to break free. He does, laughing off the major and becoming an independent man. Much of the story is swathed in a dreamy state. We never know whether any of this is happening or is being dreamed. Then again, it’s a story: we never know a great deal more. He tells the old man to show him the way back to the ferry. The old man suggests he wait a few days before leaving town so he has time to realize he can make his way in the world on his own. The story ends, leaving it unclear what choice Robin makes: there are different Robins, different choices.
The Token and Atlantic Souvenir, 1832