“The pressure of the invisible”: A sixth sense of a ghost story involving dead dogs haunting an estate where a woman is accused to have murdered her husband, though she says the dogs he kept strangling mauled him. The narrator sees the dogs as he (or is it she? we never know) surveys the estate called Kerfol in Brittany. His friend suggested he buy the place, which evokes “that sheer weight of many associated lives and deaths which gives majesty to old houses.” He spots the silent, brooding dogs who follow him but unaggressively. Then he hears the story of Kerfol, essentially the captivity of a woman by her husband in a “Yellow Wall-Paper” way (she has no rights, no autonomy), but much worse. She has no children. Her husband gifts her a dog but eventually strangles it and leaves it on her pillow after he somehow finds out that she’d given a necklace to another man. He kills the dog with the necklace, and kills every other dog she acquires. The same way. The narrator tells the story through the month-long transcript of the woman’s trial, who one night was to meet the man she’d been befriending, though not yet having an affair with, to warn him off. Her husband wakes up. As he walks down the stairs, the dogs maul him. She is accused of the murder, but let off to live with the man’s family–a worse sentence. She dies a mad woman. Her potential lover lives an unremarkable life. I am seeing pulmonary veins between Wharton and Karen Russell’s narrative verve.
Scribner’s, March 1916